🔗 Share this article Dance Star Matthew Ball on Grueling Parts and Online Scrutiny: 'I'm Not Precious About My Body' Within the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is effortlessly upright, his arms defined beneath a plain white T-shirt. On stage, ballet dancers can seem like powerful deities, yet frequently in person they are small. Not so Ball, whose height is one reason for his demand for heroic roles and partnering. With delicate traits and intense eyes, there's a touch of a brooding actor about him. A Seamless Rise to the Top At 31, Ball is enjoying the peak of a career that has advanced smoothly. Raised in Liverpool, he faced minimal teasing for his early passion in ballet. Entering the esteemed training institution at 11, he moved directly into the company and was advanced annually, attaining the top rank of principal in 2018. He has loved taking on substantial characters, especially the emotional angst found in Kenneth MacMillan's ballets. "Your breath is short, your legs get heavy, but it’s really a neural fatigue." Ball's upcoming starring appearance is as himself, in an "Evening With" event aiming to offer behind-the-scenes perspectives into a dancer's craft. He will walk the crowd through a role, demonstrating his cognitive process while execution. Yet in lighter works, the challenge is profound. "Don Quixote is one of the most demanding from a skill perspective," he states. The Psychological Struggle and After the Show Feelings How does he feel after a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to extract all the emotion out of it, and get immersed in the role, frequently I do feel self-conscious later. Following an intense role I'm always thinking: Wow, what must people think?" Offstage, Ball is thoughtful, polite, and prone to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Is there? "I'm quite active usually, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change." Early Motivations and Creative Influences Ball's determination originated in youthful experiences. Not doing well in contests at school made him "driven!" It was motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls. The next endeavor is creating his own dance works. In his view, "there's nothing wrong with." "Breaking the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing ideas from literature, music, and painting. Close-Up Performance and Personal Dynamic He additionally is interested in presenting dance in more intimate spaces. "It was just really exciting," he says of a past experience. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'" Ball has made duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite supporter." On Social Media and Physical Image On Instagram, followers can see clips from his dance films and images that highlight a sculpted physique. Does he mind that the engagement can be somewhat objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on various ways. Ball describes his early self as "desperate for success." Has it lived up to his hopes? "I feel very aware of how life is a separate reality to the dreams you made as a young person," he muses. He probably has another ten years of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."